Rhodes pianos were among the most distinguished instruments of the new musical era. I filtered away the highest frequencies with the EQ plugin (they always irritate me). Most Rhodes pianos can be improved by adjusting two specs, the escapement and the strike line. We recorded it with only one Electro-Voice RE-20 dynamic microphone and a Tube-Tech MP1A microphone preamplifier. A Rhodes and a Wurlitzer sound different, … The Univibe is mono also. Surprisingly this does sound pretty decent and the 6 piano variations tend to lean more towards an airy sound rather than the harsher Rhodes sound. This is a 1979 Rhodes that I customized for a jazz player in September 2005. If you’re looking for a quality plugin that faithfully … The sparkletop sounds closest to my old Rhodes but does not have the bark as I had the pickups very close. Rob Coops has contributed amongst others to great live recordings of Need to find an all in one keyboard with the Best B3, Rhodes, Synth & Piano sounds!! The problem with guitar amplifiers is that the EQ-ing on those amps is not designed for a Rhodes but for a guitar. Rhodes tine pianos are known for a bell-like sound and a rich, warm, rounded tone. One of the most popular outboard effects for the Rhodes was the Wah-Wah Pedal. Posted September 11, 2010. Fender rhodes Sound Effects (14) Most recent Oldest Shortest duration Longest duration Any Length 2 sec 2 sec - 5 sec 5 sec - 20 sec 20 sec - 1 min > 1 min All libraries Bobby Cole 0:04 The Phase 90 was an orange "stomp box" with an on/off switch and a single knob for controlling the effect's speed, while the Small Stone included an additional "color" switch for manipulating the overall frequency response. That Fender Rhodes Sound. I like to use an amp to get that kind of tone. I love how I can control the moving parts of the instrument. Most of the samples presented here were played pretty hard. For me the best non-original and the one i have used since 2010 is the Korg SV-1. Transistor amps can overdrive also, so it does not necessarily need to have tubes. I cannot stress the importance of this first and most important aspect. Same piano as the previous example. A ¼-inch nut driver is used to adjust the pickup volume; by loosening the pickup screw and sliding the bracket toward or away from the tine, you effectively change volume. Chorus creates phase-shifting: as a result the stereo image is a bit off-center. A customized Rhodes can effectively produce a "wall of sound" and project the energy you put into it. I used B&W speakers to monitor. On top of the chorus effect, the box could switch over to a pitch-shifting vibrato. Example 8b. Besides, there are plenty of places online where you can find pristine samples of all sorts of things, but here at AfroDJMac.com we favor sounds are unique and have personality! Angie Stone and the Dave Douglas Quintet (Uri Caine). Example 6. Who says a Rhodes can't be psychedelic? Rob wishes to thank James Garfield and Major Key for feedback and support, and their successful effort to keep the Rhodes alive and kickin'. Price: $7.00. Respect to Steve Woodyard, stay balanced, in-tune and healthy. The MP3's were made an hour before the piano was picked up by the client, in a very casual way. Some people prefer the early 70's Mark I, but these later models sound great also, when you treat them right. Realize that any Rhodes that you hear on a CD has been processed to optimize dynamics and tone. Read my lips: this sample has been heavily EQ-ed, with a lot of high-frequency boost. Before addressing other procedures, a Rhodes key bed must be set to the proper height, key dip must be verified to your liking (usually 3/8" ± 1/16"), and keys must be leveled and squared to the key slip of the case. This sound is available to any studio with a soundcard, a preamp, and a customized Rhodes. This sample was resampled through a Small Stone phaser (coloration knob downwards). Kevin and Tim tag-team on this piece about an American classic that still gets a lot of action some 50 years after it first hit the scene. The Rhodes piano (also known as the Fender Rhodes piano or simply Fender Rhodes or Rhodes) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. In the midsection they can lack clarity and the proper ability to vibrate correctly causing a dull tone. And there is the Motion Sound module. Styx, Chicago, Eagles were some of the artists who used this instrument. The escapement is the relationship or “blow distance” between the hammer tip and tine. Good, professional gear. Everything is velocity-sensitive and you can still hear the typical Rhodes growl when pushing notes hard. Example 4. The feel and performance of the key bed has a direct correlation to how your piano feels and responds. The subtle stereo-sweeping is the Waves Metaflanger: the Small Stone itself is a mono pedal. Anytime escapement is changed, hammer tips are changed, tines are replaced, or if you just are not quite sure you are hitting the “sweet spot,” it is likely that a strike line change is needed. The signal was recorded via a Delta 1010 soundcard (24 bits, 96 khz) into Wavelab. I used iZotope Vinyl for a subtle pitch warp and some EQ. 0. The high notes of this piano were placed relatively close to the pickups, but they still sound OK. Javascript must be enabled for the correct page display. A well-customized Rhodes provides a wide range of sounds to the player. This distortion is not part of the original sample. But I am also a Hendrix fan...Jimi used this pedal on "Machine Gun" with an Octavia, a Fuzzface and a few stacks of Marshall's. Set up your key bed correctly. We do spent 99% of our time around electronic pianos, but trust us: it’s not just our bias talking. By Tim Quine. This foot pedal had an extreme impact on the Rhodes sound, virtually eliminating its bell-tone and emphasizing the midrange frequencies. The black variation also sound great and are recommended for pianos in the '71 - '75 era. You can get that classic sound for your own musical recording projects with the best Rhodes VST plugins. This sample shows how fat a well-customized midrange can sound. This is my second soundfont, an improved sampling of my 1977 Rhodes Mark I Stage 73 piano. With the release of the first Stage models in 1969, the player's choice of amplifier also began to shape the piano's sound. It was one of the first electric pianos that was used in live performances. The oldest, the grand-daddy of all virtual Rhodes is the Lounge Lizard from Applied Acoustics. Clean signal path, same as Example 2a. The follow soundfonts are included: * 'jRhodes3.sf2.zip': Full unlooped soundfont, with 65 samples in 5 velocity layers, sampling at least every 4th white key starting at F1. Like an electric guitar, the Rhodes sounds even better with the right amp and effects. It usually sounds better. Greetings to all dedicated techs with big ears. It can sneak up on you: that warm, soothing yet crunchy keyboard from the late ‘60s and early ‘70s. Need for Home Studio, and Live Stage!! In my opinion almost any Rhodes can sound professional, as long as you use a good preamp/EQ, exchange the parts that are bad and, ideally, let an experienced Rhodes tech optimize the action and sound for you, to really get the most out of the instrument. Example 5a. Example 2b. The Rhodes Mk1 suitcase has a fair amount of bark, I would pair it with the Sparkletop since it has a very natural tine sound. Have you freed your sound today? In retrospect we should have given it more overdrive, but if you listen carefully to the beginning of this sample you hear the kind of overdrive you get from the Twin on your high frequencies. This distortion is not part of the original sample. Some keys just aren’t up to par sound wise. Example 2d. I EQ-ed this sample to give the mid more warmth and exaggerate the "glitching" effect of the dampers. You can control the intensity of this effect, unlike the Small Stone and MXR. Most always replacement is necessary. The first version of the Vibrato was in mono, a tremolo effect that varied the amplitude of the piano's output in a square-wave pattern. A remedy is utilizing a heavy spring on the back tone bar spring, and if that does not work, replacement is necessary. The Fender Twin Reverb was and continues to be the recommended amp for use with the Rhodes (see the Models section for more details). If someone came up to me and said, “You only have five steps to make Donald Fagen’s Rhodes ready for his recording session tonight,” my initial reaction would be, “That’s hard,” because so many variables determine how a piano sounds and plays. Listen: Supermarket Romance (MP3, 1.0 MB). The Electro-Harmonix Small Stone and the MXR Phase 90 were the two popular phaser choices during this era. Example 5b. … Clavia Lab by Simple Media. I like the irregular movement and tone of this effect. Freesound - pack: C_S Fender Rhodes … It is generally not a good idea to place tines too close to the pickups, to the point where you get pickup-generated overdrive. There is the SFX speaker by Groove tubes. Front-panel controls were provided for Speed and Intensity. Applied Acoustics Systems Lounge Lizard EP-4. Various amps were specifically designed for use with the Stage Piano, but in reality it was a Fender guitar amp that Rhodes players preferred. At Vintage Vibe we replace a lot of tines! Mike Nesmith wrote Linda Ronstadt's first hit, "Different Drum," before he joined The Monkees. I edited the sample with Waves plugins: I used the R-Comp, the Paragraphic EQ, the Trueverb, and the stereo panner by Wavelab. Audio Electronics Repair Bell Audio Lab repairs: amplifiers, mixing boards, outboard effects, speakers, guitar pedals, and recording equipment. All three sections of the Rhodes have trouble spots; in the lower section they often oscillate poorly causing pitch shift or drift, this is inherent in some longer tines. You also hear this effect combined with the Fuzz Pedal in recordings from the early 70's, adding warm distortion to the sound for an even more funkified "fuzz wah" experience. This is the same effect circuit found in the Roland JC-120 Jazz Chorus, another 2 x 12" guitar amp popular among Rhodes players. rhodes hardware 2 hole corner 024695 CAESOUND_RHODES_PLASTIC_FLAT_KEY. The tolex is fair for its age. Voicing is where you take your time and articulate each and every note over and over until the desired tone is achieved. The piano is still connected to the Suitcase preamp, but is now amplified by a Fender Twin Reverb (silverface with master volume). 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